Komplex 1

2025
Nullen und Rauschen, HGB Gallery, Leipzig

 

Komplex (Turm 1-5) + Horizonte
video projection (loop), aluminium lamp grids (chrome-plated), carton, acrrylic, lacquer, photo transfer, laser print, tape, oyster
dimensions variable

video: https://vimeo.com/953900241

Schlüsselposition (Briefkasten 1-3)
letter boxes, steel, flickering LED strip, Arduino board, polished key workpieces, magnets
dimensions variable

Kulturbeutel
aluminium bar (chrome-plated), used plastic bag, tape, content
154 x 43 cm

we all gonna (make it)
aluminium bar (chrome-plated), laser print, tape
58 x 30 cm

untitled (thoughts words action)

2023 – ongoing, work in progress


Series of large-scale digital photographs


as recently part of 
Disput Magazine – 1st Issue 2025, MACHT, Basel/Berlin

Jahrtausendsonnen

2025
Nullen und Rauschen, HGB Gallery, Leipzig

Photographic Series

21 C-prints on aluminium on MDF, lacquer, acrylic
each 40 x 30 x 1,5 cm

ashes ashes III

2025
Acts of Soft Defiance, SLUG x Tired Mass, Leipzig


Mixed Media Installation

glazed porcelain, bees wax candles, photo transfer, aluminium ashtrays
dimensions variable

 

 

exhibition views by Emilia Trog

entry mode (ode to Pamela)

2024
Kammerspiel,
HEIT Berlin


directional sound loop, 2"45'

in collaboration with flight attendant Carmen Redeker

 

accompanied by the work "unitlted (life) (fast) (above)"(2022)

https://vimeo.com/1103105111?share=copy&fl=sv&fe=ci

 

 

 

exhibition views by Max Koppernock

letter box junk space

2024
Ancient Things with Martin Andereggen, MATERIAL Zurich

 

three Suisse postboxes, flickering LED light installation, Arduino board, video projection (loop), directional sound, two Inkjet prints, postbox keys
dimensions variable

 

 

 

 

 

 

 

 

dear ,
Recently I observed myself dreaming more consciously. It is a peculiar, at times eerie place where I am being beamed. It feels like I am vividly and veritably experiencing moments from the past, or rather, the past in a different dimension. I enjoy these uncanny encounters, thus they are putting me into a sort of uncomfortable bodily state - it is like I am oscillating between walls, bouncing from door to door. I sort of took a liking to imagining the intangible, exiting the material world that surrounds me most of the time. Things I usually see around seem to be defined - no, confined actually - by rectangular thinking. Wherever I look I see over-and overwritten endless codes of human sensegiving. If space-junk is the human debris that litters the universe, junk-space is the residue mankind leaves on the planet.

There however, when I enter this echo state, things disperse into waves, less strict parameters. Time stops mattering, linearity melts into rousingly moving measures that trace back and forth into ambiguity. Logic disintegrates. What causes traces has already disappeared by the time the trace becomes itself. Everything starts making sense without asking for a reason to exist. It’s like the glossy wrapping, the skin usually holding the world together, suddenly rips; the simulation that cries out: Give me shape, give me meaning! becomes obsolete.

Then, I slide back into the now, finding my fingers fumbling robotically for the device next to my pillow. Tired eyes staring into the light emitting rectangle, trying to latch onto some piece of visual information. Clearly, an odd feeling stays with me. It’s the clammy realness that hits me, while my eyes wander and pause looking through the hole in the wall called window. I grasp, it was a fabulation, a Swiss wet dream.

 

zeitkapsel (pompejische handlungsanweisung)

2022

Solidarity. Tolerance. Reverse., 2025, MOM Artspace, Hamburg

and

A5, 2022, AS/EM off space, Leipzig



Mixed media collage
Inkjet print on foil, ink, graphite, tape on Berghain flyer
DIN A5
framed, museum glass


exhibition views by Yoav Perry

firecracker crate


2023
GIFT, Toni Areal, Zurich

 

ready-made 3D printed crate, candy wrappers, batterries, acrylic
7 x 7,5 x 5,5 cm

ashes ashes II

2024
This exhibition has closed now... tomorrow,
AS/EM, Leipzig


Mixed Media Installation

glazed porcelain, bees wax candles, photo transfer, aluminium ashtrays
dimensions variable

(life)(fast)(above)

2022

Kammerspiel, 2024, HEIT, Berlin

and

Angenommen, hier, 2022, Neue Galerie für Zeitgenössische Kunst, Gera


three objects
mixed media on canvas, steel, varnish
each 37 x 30 x 2,5 cm





exhibition views by Tatjana Hub/Saeyan Kang, Max Koppernock

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